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Le bleu outremer ou outremer est un bleu profond, longtemps extrait de la pierre fine de lapis-lazuli puis fabriqué synthétiquement à partir du XIXe siècle. La base est un thiosulfate d'aluminosilicate de sodium.
Bleu outremer
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Le bleu outremer ou outremer est un bleu profond, longtemps extrait de la pierre fine de lapis-lazuli puis fabriqué synthétiquement à partir du XIXe siècle. La base est un thiosulfate d'aluminosilicate de sodium.
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A brush with the ancients / Holliday Pigments (Comines, France) in POLYMERS PAINT COLOUR JOURNAL - PPCJ, Vol. 203, N° 4586 (07/2013)
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Titre : A brush with the ancients Type de document : texte imprimé Auteurs : Holliday Pigments (Comines, France), Auteur Année de publication : 2013 Article en page(s) : p. 13-14-19 Langues : Anglais (eng) Catégories : Bleu outremer Le bleu outremer ou outremer est un bleu profond, longtemps extrait de la pierre fine de lapis-lazuli puis fabriqué synthétiquement à partir du XIXe siècle. La base est un thiosulfate d'aluminosilicate de sodium.
Manganèse
Pigments inorganiques
VioletIndex. décimale : 667.2 Colorants et pigments Résumé : From cave paintings of the 6th and 7th Centuries, through to the European Renaissance Period and beyond, we have evidence that artists have lOng cherished and employed natural ultramarine as a pigment. However, prohibitively rare and expensive as a raw material, it was always extremely difficult to extract the dazzling blue pigment, even when a relatively successful method was eventually discovered. Not until the 19th Century, when chemists cracked the problem of manufacturing ultramarine synthetically, did ultramarine blue reach the palettes of professional and amateur painters. Synthetic ultramarine now matches natural ultramtarine in terms of chemical composition, structure, hue and performance. Note de contenu : - A TORTUOUS PROCESS
- SYNTHETIC SALVATION : Manganese violet - Oils - Acrylic - Water - Gouache - Alkyd - Pastels - Scholastics - Other productsEn ligne : https://drive.google.com/file/d/1oF-8Yz3y9D0UpLp1pEP8gwAlZEFC208P/view?usp=drive [...] Format de la ressource électronique : Permalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=19203
in POLYMERS PAINT COLOUR JOURNAL - PPCJ > Vol. 203, N° 4586 (07/2013) . - p. 13-14-19[article]Réservation
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Code-barres Cote Support Localisation Section Disponibilité 15399 - Périodique Bibliothèque principale Documentaires Disponible Colour fastness / Joanna Houldridge in POLYMERS PAINT COLOUR JOURNAL - PPCJ, Vol. 197, N° 4512 (05/2007)
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Titre : Colour fastness Type de document : texte imprimé Auteurs : Joanna Houldridge, Auteur Année de publication : 2007 Article en page(s) : p. 26-28 Langues : Anglais (eng) Catégories : Bleu outremer Le bleu outremer ou outremer est un bleu profond, longtemps extrait de la pierre fine de lapis-lazuli puis fabriqué synthétiquement à partir du XIXe siècle. La base est un thiosulfate d'aluminosilicate de sodium.
Matières plastiques -- Revêtement:Matières plastiques -- Peinture
Résistance chimique
Solidité de la couleurIndex. décimale : 667.9 Revêtements et enduits Résumé : Holliday Pigments has improved its acid resistant pigment grade specifically for plastics' applications by means of an inert coating.
Ultramarine Blue is reported to be one of the world's most tried and trusted pigments for premimum applications in plastics, cosmetics, food packaging, artists' colours and paint. A pigment with a unique and vibrant redblue shade, it cannot be recreated by other pigments and is still basically manufactured according to the principles of Jean-Baptiste Guimet's original process, discovered in 1828. However, in over 120years of manufactuing Ultramarine Blue, Holliday Pigments has never stopped refining its production process, to develop products, which are best suited to specific applications. In fact, in its position as a leading producer of Ultramarine Blue Holliday Pigments has pioneered many of the market leading grades available today in, for example, plastics and automotive paint.Note de contenu : - Defying acid
- Improvements on all sides
- Particle coating success
- Resistant coating
- Weathering front
- Gold medal applicationsEn ligne : https://drive.google.com/file/d/1U9CF5g7YC7PJcnf4ybgwbBRJb2o6RhJw/view?usp=drive [...] Format de la ressource électronique : Permalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=27390
in POLYMERS PAINT COLOUR JOURNAL - PPCJ > Vol. 197, N° 4512 (05/2007) . - p. 26-28[article]Réservation
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Code-barres Cote Support Localisation Section Disponibilité 007383 - Périodique Bibliothèque principale Documentaires Disponible Cool blue bottles / Steve Bell in POLYMERS PAINT COLOUR JOURNAL - PPCJ, Vol. 196, N° 4505 (10/2006)
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Titre : Cool blue bottles Type de document : texte imprimé Auteurs : Steve Bell, Auteur Année de publication : 2006 Article en page(s) : p. 32-34 Langues : Anglais (eng) Catégories : Bleu outremer Le bleu outremer ou outremer est un bleu profond, longtemps extrait de la pierre fine de lapis-lazuli puis fabriqué synthétiquement à partir du XIXe siècle. La base est un thiosulfate d'aluminosilicate de sodium.
Bouteilles en matières plastiques
Matières plastiques -- Coloration
PigmentsIndex. décimale : 667.2 Colorants et pigments Résumé : Holiday Pigments has developed an ultramarine blue to satisfy plastic bottle processing requirements.
One of the most ancient and revered of pigments, ultramarine blue has a distinctive and irreproducible colour. Already used extensively in food packaging, new grades have been developed to meet the tough demands of new plastics moulding techniques including, mineral water bottles, passing strict organoleptic tasting tests.
The Ancient Greeks regarded blue as the ultimate colour of perfect peace and purity, sacred to them as the blue of calm seas in mid-summer - halcyon days. They revered the kingfisher ; the brillant flash of blue from the European kingfisher's wing reminds us of this and the genus of kingfishers is also named Halcyon.
The rare mineral lapis lazuli was the original ingredient for this blue heritage and created the colour adored by artists from Egyptian pharaohs, through classical antiquity and the Renaissance to the present day. Until the 19th century, the only process to extract the pigment was expensive and complicated. In 1828, the first economically viable, synthetic version of ultramarine blue to reproducce lapis lazuli was discovered by Jean-Baptiste Guimet and started the modern industrial process.Note de contenu : - Development of principles
- Environmental purity
- New standards, new grades
- Mineral water bottle caps
- Development and evaluation
- Organoleptic assessmentPermalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=27514
in POLYMERS PAINT COLOUR JOURNAL - PPCJ > Vol. 196, N° 4505 (10/2006) . - p. 32-34[article]Réservation
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Code-barres Cote Support Localisation Section Disponibilité 005725 - Périodique Bibliothèque principale Documentaires Disponible Cosmetic effects of red-light reflection by ultramarine blue pigment / Fumiyoshi Ikkai in INTERNATIONAL JOURNAL OF COSMETIC SCIENCE, Vol. 45, N° 3 (06/2023)
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Titre : Cosmetic effects of red-light reflection by ultramarine blue pigment Type de document : document électronique Auteurs : Fumiyoshi Ikkai, Auteur ; Carl Blaksley, Auteur ; Rena Hayashi, Auteur ; Alexander Jaspers, Auteur Année de publication : 2023 Article en page(s) : p. 413-423 Note générale : Bibliogr. Langues : Anglais (eng) Catégories : Bleu outremer Le bleu outremer ou outremer est un bleu profond, longtemps extrait de la pierre fine de lapis-lazuli puis fabriqué synthétiquement à partir du XIXe siècle. La base est un thiosulfate d'aluminosilicate de sodium.
Cosmétiques
Fond de teint
Lumière rouge
Maquillage
Pigments inorganiques
RéflectanceIndex. décimale : 668.5 Parfums et cosmétiques Résumé : - Objective : Inorganic pigments used as colouring agents in cosmetics (especially foundations) have many advantages over organic pigments, such as better opacity, weather and chemical resistance and lower cost. However, the types used in cosmetics are very limited, with various kinds of red, yellow and black iron oxide along with white titanium dioxide being the main materials. Ultramarine blue (UB) as a blue pigment and chromium oxide as a green pigment are also sometimes used in cosmetics. In this study, we focus once again on UB and reexamine the possibility of expanding the colour gamut using UB instead of black pigment and creating other optical cosmetic effects.
- Methods : The effects of using UB were measured using spectroscopic instruments to determine the colour parameters when applied on artificial skin. The appearance of the product when applied to the human face was also verified both in terms of human appearance evaluation by an expert (esthetician) and numerical evaluation using imaging spectrometer measurements.
- Results : The verified results showed that, at least in the colour range targeting Asian people, UB could not create a new colour gamut, but it was clear that UB could impart an optical effect that produced a beautiful skin effect on the face. This was remarkable both in the evaluation of human appearance and in the spectral measurement results, which confirmed the phenomenon “red-light makes skin look beautiful,” which has been variously reported since the 2000s, using a different approach.
- Conclusion : We have discovered a new possibility that UB, widely recognized as a pigment, is involved not only in colour tone but also in optical effects that contribute to the goal of beautiful skin, i.e. hiding skin wrinkles, eliminating unevenness of colour and improving skin homogeneity.Note de contenu : - MATERIALS AND METHODS : Materials - In vitro measurement - Observation under different light condition - In vitro test - Expert observation on human skin - Hyperspectral imaging (HSI) measurement
- RESULTS : Ultramarine blue properties
- DISCUSSION : The nature of BLUE effectDOI : https://doi.org/10.1111/ics.12849 En ligne : https://drive.google.com/file/d/1xsPZWs-dkf2NpKH4cHVOoniC7VVM-SbP/view?usp=drive [...] Format de la ressource électronique : Permalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=39571
in INTERNATIONAL JOURNAL OF COSMETIC SCIENCE > Vol. 45, N° 3 (06/2023) . - p. 413-423[article]Exemplaires
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Titre : Mortar protection : New silicone resin-based hydrophobic powder for the dry mix market Type de document : texte imprimé Auteurs : Jean-paul Lecomte, Auteur ; Dani Llado, Auteur ; Sabrina Salvati, Auteur ; Gustavo Rodrigues, Auteur ; Murilo Ribeiro, Auteur Année de publication : 2013 Article en page(s) : p. 88-91 Note générale : Bibliogr. Langues : Anglais (eng) Catégories : Bleu outremer Le bleu outremer ou outremer est un bleu profond, longtemps extrait de la pierre fine de lapis-lazuli puis fabriqué synthétiquement à partir du XIXe siècle. La base est un thiosulfate d'aluminosilicate de sodium.
Formulation (Génie chimique)
Hydrophobie
Matériaux cimentaires -- Additifs
Mélanges (chimie)
Polyalkoxysiloxane
Résistance à l'efflorescence
SiliconesLes silicones, ou polysiloxanes, sont des composés inorganiques formés d'une chaine silicium-oxygène (...-Si-O-Si-O-Si-O-...) sur laquelle des groupes se fixent, sur les atomes de silicium. Certains groupes organiques peuvent être utilisés pour relier entre elles plusieurs de ces chaines (...-Si-O-...). Le type le plus courant est le poly(diméthylsiloxane) linéaire ou PDMS. Le second groupe en importance de matériaux en silicone est celui des résines de silicone, formées par des oligosiloxanes ramifiés ou en forme de cage (wiki).Index. décimale : 667.9 Revêtements et enduits Résumé : Hydrophobic additives are frequently used to minimise visual defects and physical damage caused by water penetration in the porous nature of cement-based materials. Test results are presented on new silicone hydrophobic powders which produced a very substantial reduction in water absorption. Efflorescence was therefore much reduced, and retention of colour in a pigmented mix after weathering was greatly improved. Note de contenu : - The nature of siloxanes and alkoxy silanes
- Formulating effective hydrophobic additives
- Extending the benefits of silicone chemistry
- Performance tests on hydrophobic silicone resins
- Efflorescence and its control
- Colour retention of ultramarine blue is enhanced
- Effective protection for construction materialsEn ligne : https://drive.google.com/file/d/1VmTgxRKEjXXkVE3_C2V3T7kyNmv4R2Et/view?usp=drive [...] Format de la ressource électronique : Permalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=19973
in EUROPEAN COATINGS JOURNAL (ECJ) > N° 12 (12/2013) . - p. 88-91[article]Réservation
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Code-barres Cote Support Localisation Section Disponibilité 15795 - Périodique Bibliothèque principale Documentaires Disponible Somewhere under the rainbow : developments in colour pigments / Sandy Morrison in SURFACE COATINGS INTERNATIONAL, Vol. 95, 6 (12/2012)
PermalinkTrue blue / Arran Marshall in POLYMERS PAINT COLOUR JOURNAL - PPCJ, Vol. 194, N° 4482 (11/2004)
PermalinkWide blue yonder / Alex Capuz in POLYMERS PAINT COLOUR JOURNAL - PPCJ, Vol. 196, N° 4499 (04/2006)
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