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667.3 : Teinture et impression des tissus 667.1 Nettoyage
667.2 Colorants et pigments 667.4 Encres 667.5 Encres d'imprimerie 667.6 Peintures 667.7 Cires, laques, vernis 667.9 Revêtements et enduits |
Ouvrages de la bibliothèque en indexation 667.3
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Colour and fastness of natural dyes : revival of traditional dyeing techniques / Maria Zarkogianni in COLORATION TECHNOLOGY, Vol. 127, N° 1 (2011)
[article]
Titre : Colour and fastness of natural dyes : revival of traditional dyeing techniques Type de document : texte imprimé Auteurs : Maria Zarkogianni, Auteur ; Eleni Mikropoulou, Auteur ; Evangelia Varella, Auteur ; Eforia G. Tsatsaroni, Auteur Année de publication : 2011 Article en page(s) : p. 18-27 Note générale : Bibliogr. Langues : Anglais (eng) Catégories : Alkanna
Alun
Brésil (bois)
Campêche
Carthame
Chlorure d'étain
Chlorure de fer
Chlorure de zinc
Cochenilles
Colorants -- Stabilité
CotonLe coton est une fibre végétale qui entoure les graines des cotonniers "véritables"(Gossypium sp.), un arbuste de la famille des Malvacées. Cette fibre est généralement transformée en fil qui est tissé pour fabriquer des tissus. Le coton est la plus importante des fibres naturelles produites dans le monde. Depuis le XIXe siècle, il constitue, grâce aux progrès de l'industrialisation et de l'agronomie, la première fibre textile du monde (près de la moitié de la consommation mondiale de fibres textiles).
Garance et constituants
Laine
Sulfate de cuivreLe sulfate de cuivre est formé par la combinaison d'un ion cuivre (Cu2+) et d'un ion sulfate (SO42- ). Il a donc pour formule : CuSO4. Il est commercialisé soit anhydre, avec cette formule, soit pentahydraté et a alors la formule CuSO4,5H2O, comme sur la figure ci-contre. Il existe également avec une ou trois molécules d'eau d'hydratation.
FABRICATION : Le sulfate de cuivre est obtenu industriellement comme sous-produit du décapage chimique du cuivre par l'acide sulfurique. Cet acide n'attaquant pas le cuivre métallique, seule sa forme oxydée présente en surface sous forme d'oxydes, de carbonates (vert de gris) et autres, passe en solution. Dans ces conditions, seul le degré d'oxydation II (forme cuivrique) est stable.
UTILISATION : Une des principales utilisations actuelle du sulfate de cuivre est la préparation (industrielle ou non) de fongicides pour l'agriculture y compris biologique. La forme la plus courante est la bouillie bordelaise constituée de sulfate de cuivre neutralisé par la chaux.
TOXICITE : Le sulfate de cuivre est un produit toxique.
Sulfate de fer
Teinture -- Fibres textilesIndex. décimale : 667.3 Teinture et impression des tissus Résumé : Cotton and wool fabrics were dyed with nine natural dyes obtained by aqueous extraction of the original plants/insect in an attempt to reconstruct traditional textile dyeing recipes, to optimise the methodology at all stages, i.e. extraction, mordanting and dyeing, and to standardise it. Cochineal, madder, alkanna, henna, brazilwood, red sandalwood, safflower, indigo and logwood were used for the dyeings, which were carried out directly and after mordanting of the textile material. A variety of mordants, namely, aluminium potassium sulphate, potassium dichromate, copper sulphate, zinc chloride, iron(iii) chloride, iron(ii) sulphate and tin chloride, is anticipated to meet both early and recent requirements and options. The dyeings were evaluated through colour measurements and standard wash, light and rub fastness tests. Generally, the mordanting process known for many centuries and connected with the textile dyeing resulted in an improvement in dye absorption and fastness properties mainly for the cotton samples, as is concluded from the tests and measurement assessments. DOI : 10.1111/j.1478-4408.2010.00273.x En ligne : http://onlinelibrary.wiley.com/doi/10.1111/j.1478-4408.2010.00273.x/pdf Format de la ressource électronique : Permalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=10900
in COLORATION TECHNOLOGY > Vol. 127, N° 1 (2011) . - p. 18-27[article]Réservation
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Code-barres Cote Support Localisation Section Disponibilité 012843 - Périodique Bibliothèque principale Documentaires Disponible 013134 - Périodique Bibliothèque principale Documentaires Disponible Colour change as a result of textile transformations / Ali Moussa in COLORATION TECHNOLOGY, Vol. 124, N° 4 (2008)
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Titre : Colour change as a result of textile transformations Type de document : texte imprimé Auteurs : Ali Moussa, Auteur ; Daniel Dupont, Auteur ; Daniel Steen, Auteur ; Xianyi Zeng, Auteur Année de publication : 2009 Article en page(s) : p. 234-242 Note générale : Bibliogr. Langues : Anglais (eng) Index. décimale : 667.3 Teinture et impression des tissus Résumé : This paper studies the influence of textile structure on its colour. It provides a systematic analysis of the changes in spectral reflectance and hence colour differences between three textile substrates: roving, yarn and woven fabric. The transformations of the reflectance spectrum as a result of the changes of the structure were modelled and the evolutions of the colorimetric coordinates L*, a*, b*, C* and h associated with these various transformations were thus calculated and analysed. The work also offers a useful method of modelling the predicted colour from one substrate form to another, which is important to the textile industry. DOI : 10.1111/j.1478-4408.2008.00147.x En ligne : http://onlinelibrary.wiley.com/doi/10.1111/j.1478-4408.2008.00147.x/pdf Format de la ressource électronique : Permalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=3170
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Code-barres Cote Support Localisation Section Disponibilité 010964 - Périodique Bibliothèque principale Documentaires Disponible Colour constancy based on texture similarity for natural images / Bing Li in COLORATION TECHNOLOGY, Vol. 125, N° 6 (2009)
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Titre : Colour constancy based on texture similarity for natural images Type de document : texte imprimé Auteurs : Bing Li, Auteur ; Congyan Lang, Auteur ; De Xu, Auteur Année de publication : 2010 Article en page(s) : p. 328-333 Note générale : Bibliogr. Langues : Anglais (eng) Index. décimale : 667.3 Teinture et impression des tissus Résumé : Colour constancy is a classical problem in computer vision. Although there are a number of colour constancy algorithms based on different assumptions, none of them can be considered as universal. How to select or combine these available methods for different natural image characteristics is an important problem. Recent studies have shown that the texture feature is an important factor to consider when selecting the best colour constancy algorithm for a certain image. In this paper, Weibull parameterisation is used to identify the texture characteristics of colour images. According to the texture similarity, the best colour constancy method (or best combination of methods) is selected out for a specific image. The experiments were carried out on a large data set and the results show that this new approach outperforms current state-of-the-art single algorithms, as well as some combined algorithms. DOI : 10.1111/j.1478-4408.2009.00214.x En ligne : http://onlinelibrary.wiley.com/doi/10.1111/j.1478-4408.2009.00214.x/pdf Format de la ressource électronique : Permalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=7622
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Code-barres Cote Support Localisation Section Disponibilité 011838 - Périodique Bibliothèque principale Documentaires Disponible Colour constancy of vat prints on cotton fabrics / S. Bracko in COLORATION TECHNOLOGY, Vol. 125, N° 4 (2009)
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Titre : Colour constancy of vat prints on cotton fabrics Type de document : texte imprimé Auteurs : S. Bracko, Auteur ; A. Solar, Auteur ; Petra Forte Tavčer, Auteur ; B. Simoncic, Auteur Année de publication : 2009 Article en page(s) : p. 222-227 Note générale : Bibliogr. Langues : Anglais (eng) Index. décimale : 667.3 Teinture et impression des tissus Résumé : Colour constancy of prints with vat dyes on cotton fabrics was investigated by computing the CMCCON02 colour inconstancy index with the key element CAT02 for chromatic adaptation transform. The results show that the highest changes in colour appearance can be expected when the average daylight is replaced with fluorescent light. If D65 daylight is replaced with some other type of daylight, such as D50 or D55, only minor colour deviations occur which do not substantially change the colour appearance of the prints. The analysis of the influence of the lightness and chromaticity of prints shows that the chromaticity of the samples significantly affects their colour constancy. The change of appearance of the prints with lower chroma because of changed illumination conditions is less probable. The influence of a dye blend composition was also investigated. On average, multi-coloured dye blends have proved to be more colour constant. DOI : 10.1111/j.1478-4408.2009.00200.x En ligne : http://onlinelibrary.wiley.com/doi/10.1111/j.1478-4408.2009.00200.x/pdf Format de la ressource électronique : Permalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=6215
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Code-barres Cote Support Localisation Section Disponibilité 011582 - Périodique Bibliothèque principale Documentaires Disponible Colour dependency of textile samples on the surface texture / Saeideh Gorji Kandi in COLORATION TECHNOLOGY, Vol. 124, N° 6 (2008)
[article]
Titre : Colour dependency of textile samples on the surface texture Type de document : texte imprimé Auteurs : Saeideh Gorji Kandi, Auteur ; Mohammad Rahmati, Auteur ; Mohammad Amani Tehran, Auteur Année de publication : 2009 Article en page(s) : p.348-354 Note générale : Bibliogr. Langues : Anglais (eng) Index. décimale : 667.3 Teinture et impression des tissus Résumé : In this paper, the perceptual and instrumental effects of texture on colour is investigated, using 63 textile samples, in nine colour centres and seven texture structures. The effectiveness of texture is evaluated by assessing colour differences between six texture samples and a standard texture in each colour group. Experimental results show that the sample texture has a significant effect on the measured and perceived colour and its influence depends on the colour centre of the sample. The magnitude of texture effect is more dependent on the texture type than on its coarseness. A new term to evaluate texture difference of a pair of textile samples was defined using a Gabor filter (Gabor texture difference). The visual colour changes gave a good correlation with Gabor texture difference values; however, the colour of the samples affected this correlation. So the colour change, as a result of texture differences, depends on two independent variables consisting of the Gabor texture difference and the colour centre of samples. DOI : 10.1111/j.1478-4408.2008.00162.x En ligne : http://onlinelibrary.wiley.com/doi/10.1111/j.1478-4408.2008.00162.x/pdf Format de la ressource électronique : Permalink : https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=3243
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Code-barres Cote Support Localisation Section Disponibilité 010992 - Périodique Bibliothèque principale Documentaires Disponible Colour gamut produced by applying mixtures of natural dyes on de-inked mechanical pulp / M. I. Savvidou in COLORATION TECHNOLOGY, Vol. 123, N° 2 (2007)
PermalinkColour gamuts arising from absorber–dielectric–metal optical resonators / Declan Oller in COLORATION TECHNOLOGY, Vol. 133, N° 6 (12/2017)
PermalinkColour management in digital textile printing / Dejana Javorsek in COLORATION TECHNOLOGY, Vol. 127, N° 4 (2011)
PermalinkColour management of a low-cost four-colour ink-jet printing system on textiles / Yuqian Zhang in COLORATION TECHNOLOGY, Vol. 125, N° 1 (2009)
PermalinkColour matching by principal component analysis-based spectrophotometric technique / Ali Shams Nateri in COLORATION TECHNOLOGY, Vol. 125, N° 1 (2009)
PermalinkColour matching comparison between spectrophotometric and multispectral imaging measurements / Lin Luo in COLORATION TECHNOLOGY, Vol. 132, N° 1 (02/2016)
PermalinkColour matching for smart and sustainable spinning of coloured textiles / Ruiha Yang in COLORATION TECHNOLOGY, Vol. 136, N° 3 (06/2020)
PermalinkColour of flax fibres in regard to different pretreatment and dyeing processes / Darinka Fakin in COLORATION TECHNOLOGY, Vol. 124, N° 4 (2008)
PermalinkColour-patterned fabric defect detection based on an unsupervised multi-scale U-shaped denoising convolutional autoencoder model / Hongwei Zhang in COLORATION TECHNOLOGY, Vol. 138, N° 5 (10/2022)
PermalinkColour-patterned fabric-defect detection using unsupervised and memorial defect-free features / Hongwei Zhang in COLORATION TECHNOLOGY, Vol. 138, N° 6 (12/2022)
PermalinkA colour printer calibration method based on gamut division algorithms / Bangyong Sun in COLORATION TECHNOLOGY, Vol. 130, N° 6 (12/2014)
PermalinkColour recipe prediction using and colony algorithm : principle of resolution and analysis of performances / Sabrine Chaouch in COLORATION TECHNOLOGY, Vol. 135, N° 5 (10/2019)
PermalinkColour stripping of reactive-dyed cotton by ozone treatment / Semiha Eren in COLORATION TECHNOLOGY, Vol. 132, N° 6 (12/2016)
PermalinkA coloured polyester fabric with antimicrobial properties conferred by copper nanoparticles / Sepideh Afshari in COLORATION TECHNOLOGY, Vol. 135, N° 6 (12/2019)
PermalinkCombining dyeing and wrinkle-resistance finishing of cotton in a one-step process using a hemicyanine fluorescent dye / Zhang Wei in COLORATION TECHNOLOGY, Vol. 131, N° 1 (02/2015)
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