| Titre : |
Research directions in color movie restoration |
| Type de document : |
texte imprimé |
| Auteurs : |
Alice Plutino, Auteur ; Alessandro Rizzi, Auteur |
| Année de publication : |
2021 |
| Article en page(s) : |
p. 78-82 |
| Note générale : |
Bibliogr. |
| Langues : |
Anglais (eng) |
| Index. décimale : |
535.6 Couleur |
| Résumé : |
Film restoration is a complex and multidisciplinary field that requires the collaboration of many professionals. Here, we present a series of ongoing unresolved problems, focusing on digitisation, digital restoration and conservation. |
| Note de contenu : |
- Digitisation
- Digital restoration
- Conservation
- Fig. 1 : A graphical representation of the film restoration workflow
- Fig. 2 : An example of the original frame extracted from the original video "Fiat 508" (193X) and the restored digital copy. It is possible to notice that the video steady produced a cut (ie information loss) at the edges of the frames
- Fig. 3 : An example of the original frame extracted from the original video "La strage di Piazza della Loggia: i funerali" (Brescia, 1974), the copy restored manually through video-editing software, and the copy restored through the automatic colour equalisation (ACE) algorithm |
| DOI : |
10.1111/cote.12488 |
| En ligne : |
https://onlinelibrary.wiley.com/doi/epdf/10.1111/cote.12488 |
| Format de la ressource électronique : |
Pdf |
| Permalink : |
https://e-campus.itech.fr/pmb/opac_css/index.php?lvl=notice_display&id=35593 |
in COLORATION TECHNOLOGY > Vol. 137, N° 1 (02/2021) . - p. 78-82
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Research directions in color movie restoration in COLORATION TECHNOLOGY, Vol. 137, N° 1 (02/2021)
